Merely experiencing desire upon beholding someone is not to necessarily objectify. To wit:
I’ve been objectified by men when I’ve worn frumpy sweatshirts and baggy straight jeans: my butt was groped when I was arrayed that way at a hole-in-the-wall eatery. I’ve been objectified by men while I was wearing long, loose tunics and skirts topped by carefully-draped headscarves: I was asked if I was a “total freak under that thing”, the last word punctuated by an unmistakable gesture towards my scarf. Hell, I’ve been objectified by men for being a virgin who mostly stayed at home: a much-older man online told me that he found it titillating to think about me “locked away” and insinuated that if we got together, he’d rescue me to a liberated life of constant sex and nudity at his apartment.
Notice a pattern here?
Continue reading “Feminism 101: Objectification & Sexualization vs. Sexual Desire”
Columbusing, or the art of [white people] “discovering” something [people of color do] that is not new, ought to be declared the term of 2014. It probably will in 2015, if it manages to get itself Columbused by next year. Something that did recently get Columbused is twerking. Those who only pay attention to mainstream white culture associate it with Miley Cyrus, erasing its long history among those of African descent.
As Christiana Mbakwe says in The Origins of Twerking: What It Is, What It Means, and How It Got Appropriated:
The roots of twerking are rich. Variants of the dance exist in most places where there’s a high concentration of people of African descent. Its current iteration is commonly associated with the New Orleans bounce scene, however growing up in London I immediately associate it with the Dancehall scene.
If people took the time to explore the root of what’s been dubbed as the “twerk,” they’d realise its origins lie in West Africa. It’s strikingly similar to the Mapouka dance from Côte d’Ivoire, a dance done by women that focuses on the buttocks. It’s existed for centuries.
The similarities between twerking and another dance of non-white origins gets downright eerie around here:
If we view twerking through a Western prism, we’ll interpret it as being sexual, scandalous and controversial. However when you place it in its original context you’ll realise it’s a cultural expression of joy, with its function being primarily celebratory rather than for sexual provocation. Growing up, I saw it most frequently performed during joyful occasions — family gatherings and weddings. There was nothing scandalous about it, it was simply dancing.
What happened to bellydancing is what is happening to twerking.
Continue reading “It Wasn’t Sexual Until White People Columbused It”