Content note: fantasy/horror violence, and plenty of it. Also some references to sexism, misogyny, misogynist violence, and some sexual content.
In response to this post on Facebook, from dating coach Jonathon Aslay:
How a Woman Becomes Irresistible To a Man… She chooses to set high standards for herself. She’s clear on what she wants. She knows the value of friendship before sex. She comes from a place of gratitude (not expectations). She is confident and willing to ask a man out on a date because she knows a relationship is a two way street. She demonstrates trust and respect by accepting him for who he is. She’s in no hurry to get to the destination. She can take of herself, she doesn’t need a man. She shows up interesting and interested. She comes from a place of compassion (not entitlement). Lastly, she knows how to inspire a man, because she leads by example. Did I miss anything?
Facebook feminists bring you: The Irresistible Woman. Part 4 of a series. All micro-stories reprinted with permission of the authors, credited and linked to (or not) as they requested.
DISCLAIMER: References to violence, death, destruction, physical torment, psychological torment, supernatural torment, world domination, eternal nightmares, or the warping of the entire space-time continuum to exact revenge on one sexist jerk, are all intended as metaphor. These are fictional expressions of rage and mockery, aimed at the impossible, contradictory, ever-shifting standards of female desirability, and at the barrage of advice given to women about how to meet those standards. None of the authors actually want to do these things, or think they should happen. No, really.
In response to the previous poem, and someone telling Amanda Gannon they wished they had an Internet to give her:
I already own the internet, Peter. My shadowy tentacles reach into 2.8 billion homes worldwide. I am always watching. Even when I am asleep. I have lost count of my eyes. –Amanda Gannon
She listens as only she can, hearing everything and collecting fragments of sound to weave together into her magnum opus, a song that nobody will ever be able to remember. It will be transcendent beauty so great that the strongest shall fall to their knees and weep, spanning every experience in human history from the sacred to the profane.
This will be the song that calls the cosmos back from its outward flight, collapsing it into a single proto-universe again, before releasing it to create a new universe. Perhaps this time it will be acceptable.
She does not remember how many times she has done this. -Peter Eng
Actually, she has a Puckish sense of humor. She took it from Robin Goodfellow, along with several other things he wouldn’t need any longer. -Peter Eng
She has Puck’s humor. She keeps it in a jar at the back of her fridge, which she keeps meaning to clean out. –Yvonne Rathbone
The irresistible woman has transformed her skin into a superconductive ceramic shell. The cold, the cold, you touch her skin and the cold feels like burning, like acid, like inconsolable grief. Her skin burns off your fingerprints. You are no longer yourself, you will never again be yourself. You can recognize the other men who have touched her, by the smooth scarring on their fingers, their faces, their hearts.
You do not leave a mark on her. None of you has ever left a mark on her. None of you ever will.
The irresistible woman has transformed her skin into a superconductive ceramic shell. The transformation on the cellular level was torture; her screams were the cries of the phoenix, the newly-born spider devouring the body of its mother, the Christ hanging himself on the cross and crying out in despair, “Why have I forsaken myself?” When it was over at last, she was left with one small piece of her human skin, her own index fingertip, set in a locket. She is saving it for her daughter. –Greta Christina
“The irresistible woman is clear on what she wants, but has no expectations and accepts men as they are. She has high standards, but has no sense of entitlement. She has no need for a man, but cares deeply about being irresistible to them.”
The irresistible woman hears the contradictions, and laughs — a harpy shriek she immediately muffles into her elbow, for fear of giving the ending away. They think the contradictions will baffle her, frighten her, weaken her, send her into despair. They have no idea.
The irresistible woman takes the stage, strips, scratches her face with her perfect nails. She writes the contradictions on parchment in her blood, wraps it around her naked body like a shroud. The parchment twists at her command, and she twists along with it, her body bending, stretching, contorting into a Moebius strip, slicing itself into twisted loops that interlock. Her audience looks on: entertained, then captivated, then gradually paralyzed as the realization sinks in.
The words she spoke to the parchment were spoken at the same time to their brains. Their neurons, axons, dendrites, have twisted inside their skulls. It happened bit by bit, like the heat under a pot of water gradually boiling the live frog. The knots inside their brains are bleeding.
They had no idea.
She unwraps her body with a snap, eases out of the parchment. She knows her way out. She slips into a terrycloth bathrobe stolen from a hotel. She exits through the gift shop. –Greta Christina
Let us tell the story of what happened in the hotel, when she stole the bathrobe. Continue reading “The Irresistible Woman: A Micro-Horror Collection, Part 4”