pop

An Indictment of Party Pop

Miri, , , , , , , 2 Comments

Just when you thought I was finally done writing about alcohol and partying, here I go with yet another post about it!

Before I start talking about party pop, though, I need to clarify what exactly I’m talking about, because apparently some people still don’t get it. Every once in a while someone who doesn’t know me too well says something like “OMG I READ YOUR BLOG AND I GUESS YOU HATE FUN HAHA.” Um no.

So let me explain. I do not hate alcohol. I do not hate parties. I do not hate fun. I do not hate people who drink and party, except when they’re infringing on my personal space. What I hate is something I call “party culture,” which, by my definition, contains the following components:

  • the belief, prevalent among people of all ages, that partying is the one and only acceptable way for young people to spend their free time and socialize
  • the glorification and normalization of binge drinking (formally defined as drinking five or more drinks in a row, but I also use it generally to refer to drinking in a way that jeopardizes one’s health and safety)
  • the use of alcohol as a means to coerce women and excuse sexual assault
  • the idea that people who choose not to party are deficient in some way
  • pressuring people to drink and party (This is truly unique in college. I was never pressured to join clubs, go to football games, explore Chicago, attend dorm events, or do any other social activity quite like I was pressured to party.)
  • the belief that alcohol is something people “need” in order to relax, talk to people, hook up, have fun, etc.
So there’s party culture for you. As for party pop, I read a piece about it in this summer’s issue of Bitch magazine. The piece was actually a really interesting analysis of the changes that this sort of music has gone through; whereas drunk girls in pop culture used to exist basically as a spectacle for men’s benefit, more recently they seem to be partying for themselves (the article mentions Ke$ha and Katy Perry as examples). Anyway, you’d really have to read the whole article to see all of the points it makes, but that’s the gist of it, and the author sees this as a positive development–female empowerment and blahblah.
However, where the article falls short is that it still seems to present party pop as a symbol of rebellion:
Today’s party-girl pop continues down the avenue of non-explicitly politicized, pleasure-focused rebellion against gender norms carved out by flappers and disco divas.
And:
[Party-girl pop] is valuable in its large-scale reflection of changing the meaning of pleasure and autonomy among young women, both to create a culture for girls themselves and to give older people a peek into these changing mores.
Here’s the thing, though. Whereas the music from which party pop presumably draws inspiration, such as the Beastie Boys’ “(You Gotta) Fight for Your Right (To Party!),” was actually made a time when partying was considered a subversive thing for people (especially women) to do, we’ve come quite a ways since then. Party culture has become normative. It’s not partying, rather than partying, that now draws judgment and scorn. Trust me, I’d know.

The truth is, even my socially conservative parents and their white middle-class friends think that partying is just what the kids do these days. For some reason, though, the party lifestyle continues to hold this impenetrable veneer of revolutionary coolness.

When I listen to music that glorifies party culture and hear people ranting about how rebellious and groundbreaking and cool it is, I imagine someone making music about how awesome it is not to live on a farm or to be able to live past age 50. Like, okay, cool, but I thought we were over that by now.

Maybe what we should be talking about instead is the fact that party pop contributes to a culture in which alcohol is viewed as the one and only means to having a worthwhile and enjoyable life, and partying is seen as something “everyone” does. And I’m not even making random unbased claims here: studies have shown that college students overestimate how much their peers drink, and that the more they think others drink, the more they drink themselves. That’s why, when I went through training to be an RA at Northwestern, we were told to provide our residents with the results of surveys done at NU that showed how much students actually drink. Because when you think that everybody is just constantly going out and knocking back six vodkas in a night, you’re more likely to try to do that, too.

Furthermore, I disagree with the Bitch article’s assertion that party pop is helping to redefine gender roles for women. The line of argument here is that because these women party for their own pleasure, they are paving the way for our culture to accept women as autonomous and equal to men. I don’t think it really works that way, though. I think that now, rather than having one function–pleasing men–women have two functions–pleasing men and getting shitfaced. I don’t see how this helps society recognize the right of women to hold positions of power, contribute to scientific research, control their own reproductive health, or generally do much of anything that doesn’t involve getting intimate with a toilet bowl at the end of the night. (As for the shitshow that consists of male-created party pop, I’m not even going to get into that now.)

The very artists that the author of the article considers pioneers in this regard have other songs (which the author conveniently ignored) that completely contradict the supposedly revolutionary message. For instance, here are some lyrics from a recent song by Katy Perry:

Kiss me, ki-ki-kiss me
Infect me with your love and
Fill me with your poison
Take me, ta-ta-take me
Wanna be a victim
Ready for abduction
That’s empowering, alright. As for Ke$ha:
I don’t care what people say
The rush is worth the price I pay
I get so high when you’re with me
But crash and crave you when you are away
Pardon my skepticism, but I really fail to see how this music is promoting women’s autonomy. What I do see, though, is that it promotes the dangerous party culture that has infected basically every college campus–and JUST A REMINDER, by “party culture” I mean the stuff listed with bullet points above. I’m not saying this music is inherently “bad” or that we shouldn’t listen to it (that would not only be a specious argument, but it would also be a hypocritical one since I listen to a lot of this stuff myself). I do think, though, that we should make a big-ass pause before we start painting it with Beastie Boys-esque shades of rebelliousness.
Pop music, and pop culture in general, is the pulse of our society and its values. I think that if we listen closely to it, we can discern the pressures and expectations that people face from the world around them. And right now, pop music is saying that partying is the epitome of what young people should do with their lives. I think that’s an unfortunately narrow-minded view.
So if you’re too school for cool,
And you’re treated like a fool,
You can choose to let it go
We can always, we can always
Party on our own
–P!nk, “Raise Your Glass”
An Indictment of Party Pop
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