In case you’ve been in a beautiful fantasy world for the past few years, I have a sad truth to report: the world is, just, full of allistic people. Not only that, but despite their comically overstated deficiencies at staying organized, attaining intense mastery of niche topics, and being at all bearable to be around, they control almost everything. Learning how to deal with their bizarre needs is a necessary life skill for the rest of us, and I came to learn what I have about how they operate from a still more noisome source: narcissistic, emotionally abusive parents.
My relationship with holiday decorations has always been tense.
My name is Alyssa and I currently have head lice.
Pokémon is a long-running television series, currently spanning nearly 1000 episodes since its Japanese debut in 1997. Like many such cartoons, it also encompasses a number of feature-length films, set between the episodes of the series and occasionally referenced thereafter. The nineteen Pokémon films are a fascinating oeuvre in their own right, because they return repeatedly to themes particularly dear to me and to other autistic, indigenous viewers.
There are many incidents that remind me of my mental difference, the divergence in my neurology that makes “normal” people a ceaseless, discomfiting puzzle. One stands out in my memory, though, for the sheer spectacle of that difference: the time I was stuck in an elevator for the better part of an afternoon.
Autistic Person: I’m here for the job doing THING.
HR: Ah, good, good. How much experience do you have doing THING?
Autistic Person: Experience?
I have lived long years of endurance.
Long, long years of loud rooms full of people I never learned to like, who couldn’t be bothered to learn to like me either. Long years of being at parties but not part of them, dreading the part of the night where the group splits into smaller groups that head to different places, not having enough of a link to any moiety to make any path make sense, too determined to have “life experience” to give up right then.
Long, long years of being only minimally able to care what I was wearing, because none of it seemed worth excitement. Long years of burying myself in oversized Hawaiian shirts and their kin with East-Asian-inspired prints and jeans that just barely fit into the rough, unkempt aesthetic of the 1990s. Long years of intensive patterns and cycles maintained because as long as I maintained them, I never had to think of what might replace them, never had to face the yawning, perfumed void over which they stretched, never had to know why.
Long, long years of holding a beloved pet behind a locked door and weeping softly, without knowing why.
[Spoilers for the Season 1 finale of Steven Universe follow.]
The moment that sealed Steven Universe into richly-deserved fame and a place in future discussions of the evolution of pop culture was the 52nd episode, ”Jail Break.” In addition to pointedly and thoroughly burnishing the show’s credentials as queer-inclusive and emotionally complex, it provided viewers with a beautifully-composed song-and-fight sequence, from the only one of the four main characters to have avoided a musical number until then:
The words of “Stronger Than You” are poetic and poignant, particularly these:
I am a conversation.
I am made
And it’s stronger than you.
A few years ago, I attended an art museum with Ania and one of her friends from her hometown. There was friction between the three of us. Ania hadn’t been in much contact with this friend for years at this time, and importantly, had come into her atheism and become involved with me in that gap. Her friend, in turn, was still religious. I earned some of her friend’s future antipathy to me by being a little too insistently flirtatious, which is not a good thing for a perceived cis straight man in a relationship to be toward a woman who is clearly uninterested, but most of it preceded that unfortunate buildup. A lot of it coalesced into a rather unfortunate turn of phrase she used during that art museum trip:
“[S]he’s not one of those atheists, is [s]he?”