Something peculiar happens with film budgets. Films that spend more on their cast than small countries spend on food make decisions premised on that kind of money. In a culture that places whiteness, maleness, and similar statuses on pedestals and holds others down, that often means that seeking the biggest names—the people most often recognized for their talent and expertise—means finding people who have had every advantage up to that point. Big-budget films are incredibly white and distressingly male, by and large, regardless of where they are set, and it’s only recently that films could give top billing to members of ethnic minorities without immediately becoming “niche.”
That’s what makes lower-budget films especially interesting.
One of the first things I noticed when I started watching classmates’ film projects, amateur movies on YouTube, and other low-budget cinema was the overwhelmingly greater diversity in the cast. Women and non-white people, disappeared from sight in mainstream films, appeared in profusion, matching the reality of the diverse places I have lived.
And that’s what brings us to Sharktopus (2010).
Spoilers for all three Sharktopus films below the fold.
Continue reading “The Strange Potential of Sharktopus”