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Banana Nut Bread, Alyssa Style

Baking is, famously, a different beast entirely from other kinds of cooking. Particularly for bread, it depends on careful ratios and a fair bit of luck and isn’t as amenable to mid-stream course corrections as most other techniques. It’s easy to end up with loaf after loaf of grimly tolerable bread or overly dry cake and not know what to do with it. I decided to challenge myself recently with a foray into one of the easier kinds of baking, with a twist to make it fit within my dietary restrictions.

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Banana Nut Bread, Alyssa Style

Halves in the Meeting Place

Immigrants are always homesick. This is the core of our story. Even those of us who flee horrific circumstances have at least one thing we remember fondly, or that becomes fond when it is gone. To emigrate is to surround oneself with the unfamiliar, and to live in the echoing absence of what was once everywhere. There are days when those echoes are a deafening cacophony, laying down the impossible demand of that incoherent word, home.

Ottawa’s yearly Latin festival puts the many feelings of that word into focus. This gathering of my people in the plaza before Ottawa City Hall is a riot of sensation. Live music invites listeners to come close, and an uproar of food smells permeates the area. Hand-written signs advertise our regional specialties with words I rarely see even on our restaurant menus, and every spoonful of yellow rice and chunk of slow-roasted pork is a portal to a world I left long ago. Even the less familiar offerings, Peruvian noodles that take notes from South America’s Chinese community and Colombian pastries I’ve never tried, come with our unmistakable aroma and style.

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Halves in the Meeting Place

Their Brows Look Like Mine: FFS and Ethnic Identity

“This is what it means to be a girl, isn’t it? To never feel like enough.”

I wrote these words as one of the sadder moments in “The Prom Pine,” a short story whose fanfiction version you can read here. (The non-fanfiction version, an extended narrative meditation on dissociation and its uses, will appear in a future edition of Spoon Knife.) It’s true that this world imposes that pressure on women in general, with every ad for makeup, diet, clothing, exercise, and more promising relief from that anhedonic treadmill, but trans women face a special pressure here. The outside world doles out validation in proportion to our efforts to conform to cisfeminine expectations, and we often start from difficult positions, testosterone poisoning setting us back before we even begin. It takes eons of soul-searching to find the lines between gender dysphoria, social conditioning, and everything else. I’ve found a whole other line, and it weighs on me now.

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Their Brows Look Like Mine: FFS and Ethnic Identity

There Are Words For Us: What “Striking Vipers” Did Wrong

Transformation and exchange are two of the most thematically interesting ways to explore gender and relationships in fiction. This isn’t a new idea, with the story of Tiresias providing an example from Greek antiquity. Such stories can range from ignorant and banal to nuanced and powerful. As a trans woman, I have long held a fascination with them, and they ultimately helped me come to understand what I wanted from my body and my life. “Striking Vipers,” the first episode of season 5 of Black Mirror, is neither of these, instead being a tragic, wasteful misfire that perhaps handles some of its other themes better than this one.

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There Are Words For Us: What “Striking Vipers” Did Wrong

I Want To Miss The Moorhens

I used to think I didn’t get attached to places. The past was a haze, an awful mystery I yearned to escape. My heart was not heavy when my family moved us from New Jersey to Florida when I was 10, and it was lighter still when I finally left Miami to seek my fortunes in Ottawa, Canada. I had much to flee. It was only later that I found something to mourn.

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I Want To Miss The Moorhens