Writing a review for La-Mulana might be every bit as hard as actually playing it.
Games made by fans of the particular genre of video games known as “Castleroids” tend to be exacting, grueling affairs if done poorly; exacting, grueling and COMPELLING affairs if done exceedingly well. La-Mulana, in both its original (freeware) form and its 2012 remake manages to achieve just about the perfect balance of difficulty and depth, even where it leaves me needing frequent breaks. The Japanese indie outfit Nigoro originally created the game to be a PC retro game that apes an MSX game — the MSX being the Japanese Microsoft home PC during the Famicom era. In fact, Konami and Hudson Soft developed heavily for the system before moving on to the true consoles, including such titles as Metal Gear (an MSX exclusive, at the time).
I’m currently playing the 2012 remake of La-Mulana, having only briefly attempted a playthrough of the original game. Its graphics bring to mind a 32-bit game like Castlevania: Symphony of the Night, only much cuter and more cartoony. Your character, the one-block-high Professor Lemeza Kosugi, is a Japanese-American ninja-slash-archaeologist. The “ninja” part is evident in his choice of sub-weapons like caltrops and shuriken, and the “archaeologist” part is evident chiefly in his Indiana Jones attire and bullwhip main weapon.
And, I suppose, the setting — you’ve travelled to La-Mulana, the “cradle of civilization” and evidently a single ruin that contains references to numerous world cultures including Aztec, Egyptian, Greek, Babylonian and Japanese in a sort of Stargate sort of way. With your bullwhip, laptop and a million shuriken (which you have to buy at a gold apiece), you’ll have to unravel the mysteries of the ruins in order to beat your father and professional rival to the punch.
Content note: I complain about another game by this dev that involves “creepshots” type sexual assault. Highlight where the note is to read it.
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