Learning Sexuality: Children, Marketing, and Sexualized Products

[Content note: sex, child sexualization, child molestation and rape]

I’ve been depressed lately so writing has been difficult. (Here’s more about that if you’re curious.) Hopefully this isn’t the only thing I’ll be able to produce for the next few weeks.

~~~

Children and teens should be able to express their developing sexuality (safely and appropriately) without being shamed for it.

Adults are marketing sexual ideas and behaviors to children at very young ages, and this isn’t a good thing.

Both of these things may be true, but I’ve noticed that many people of a progressive persuasion often have trouble entertaining both of these ideas at the same time.

That is, whenever someone is claiming one of these, someone always appears to argue the other one as though they disprove each other. If someone says, “You know, it’s really sketchy that they sell pole dancing kits for little girls,” someone will inevitably counter, “So you’re saying there’s something wrong with girls expressing their sexuality? You’re slut-shaming.” If someone says, “We shouldn’t prevent children from exploring sexuality safely,” someone will respond, “Yeah well they only want to explore it because the mainstream media is teaching them inappropriate things.”

Much has already been written and researched about the sexualization of childhood (particularly girlhood). One study suggests that almost a third of girls’ clothing may be sexualized. The American Psychological Association released a report on it in 2007 and discussed some of the negative effects of sexualization. And, of course, commentary abounds and you can easily find it online.

Are some of the critical responses to sexualized children’s toys and clothing prompted by, as counter-critics love to allege, “prudishness”? Probably some of them. But that’s not all there is to it.

First of all, as the APA report suggests, increased sexualization of girls can have negative consequences for individuals and for society. But beyond that, I think there’s something to be said for discovering one’s sexuality through experimentation and exploration rather than by looking at commercials and magazines to see what other people (supposedly) do. Many of us grow up with images of what sexiness and sexuality is that later turn out to have absolutely no resonance for us. It’s a particular facial expression, a particular way of dressing, a particular procedure for hooking up and getting off, a particular move or strategy or “trick” to get a potential partner interested.

Eventually, some people unlearn some of these things and decide which of them really feel sexy and which don’t. For instance, some of the things I think are sexy are pretty “normative,” such as high heels and PIV intercourse. Other things that have been presented to me as sexy by my surrounding culture, though, I do not still think are sexy, such as men who ignore my boundaries, falling into bed together without having to say a word, and long straight hair. Some things that I think are sexy are things that have generally been presented to me as decidedly unsexy, such as asking for consent before kissing, having upper body muscles, and women who are dominant rather than submissive.

But some people don’t really question what they find sexy and why, and end up having a sexuality that’s pretty close to what they’ve seen advertised. And some of them are totally happy with that. But others are not, and they never really realize that they have other options.

Cliff Pervocracy once wrote about the experience of realizing that a particular pornographic image with which we’re all familiar isn’t necessarily how everyone likes to do it:

Rowdy and I watched porn together last night.  Because Rowdy is a gentle soul in ways I am not, I tend to watch hardcore kinky porn and he tends to watch porn of real couples having sweet lovey sex.  We were watching his porn.

The woman in the video had sex the way I do.  When she was on top, she didn’t pump her whole body up and down, she just moved her hips rhythmically.  And she didn’t stay on top forever going poundpoundpound like a champ; she did it for a few minutes and then switched positions.  I think that’s the first time I’ve seen a woman in porn do that.

The part that blew my mind: the guy in the video was way into that.  And Rowdy was way into that. And it was in porn, which gave it the official stamp of People Think This Is A Sexy Thing.  I was astonished, because I always thought wiggling my hips on top meant I was incompetent at sex.  I thought you were supposed to bounce full-length on a guy until he came, and since my thigh muscles can’t do that, I thought I was too weak to do me-on-top sex correctly.  It was amazing to see people accepting a less athletic method as a totally valid, hot way to have sex.  Hell, it was amazing just to find out that I wasn’t the only person on Earth who has sex that way.

Kids are probably not going to be exposed to hardcore pornography, of course, but they get exposed to other messages about what normative sexuality is, such as high heels and makeup, female passivity, and, apparently, pole dancing.

Aggressively marketing particular sexualized products or behaviors to little kids means that they are that much more likely to grow up with the idea that that’s how you do sexuality. It gives them that much less room to discover for themselves what’s fun and pleasurable as they become old enough to try it.

But the problem with this whole situation goes beyond people growing up forced into little boxes of sexual expression. Namely, there is a terrible and dangerous hypocrisy here. Adults create ads and marketing campaigns that persuade little girls to want pole dancing kits and t-shirts with sexy messages on them, and adults make horrible assumptions about the girls on whom this marketing works. It’s a rare case of molestation or statutory rape in which some source doesn’t claim that the female victim dressed “older than her age” or “seemed very sexually mature.”

Every bit of me just rages and rages when I read these things. We have people who are paid more money than most working adults will ever see to manipulate girls and their parents into wanting and buying these things, and then we blame these girls for being preyed on by adults who ascribe to them an awareness that they probably cannot have yet.

First of all (not that this needs to be said), statutory rape is wrong no matter how sexually mature a child is. (I’m not talking about those “grey areas” where one person is 17 and the other is 19 or whatever. I’m talking about those cases where the victim is 10 and the predator is 45, for instance.) But regardless, when little girls wear “revealing” clothes or put on lots of makeup or dance in a “suggestive” way (whatever that even means), they’re almost definitely not doing it because they literally want to have sex with someone. They’re probably doing it more because it’s been presented to them as a fun and exciting thing to do, something older girls do, something that just you’re supposed to do as a girl. It’s adults who interpret children’s exploration as necessarily sexual, or as a sign of sexual maturity. Just as adults freak out when they catch little kids playing with their genitals (or with a friend’s). They assume that just because it’s an expression of sexual desire when they do it, it must mean the same thing when children do it.

Of course, there’s nothing anyone, even an adult, can say or do that guarantees sexual interest, short of clearly saying so or initiating sexual activity. Little girls in miniskirts aren’t “asking for it” and neither are adult women in miniskirts. Or boys or men or gender-nonconforming folks in miniskirts, for that matter.

If we’re going to relentlessly market these types of clothing and toys to children, we need to stop making gross assumptions about “what it means” when a child wears those clothes or plays with those toys. It means nothing. It means that marketers know what they’re doing. It means that dressing up or dancing and shaking your butt can be fun. It means that kids enjoy exploring their bodies and what they can do or look like. It means nothing.

I’ve spent most of this post critiquing the marketing of sexualized stuff to children, but it’s also worth talking more about the other half of the false dichotomy I presented at the beginning. I think a lot of the panic about children doing “sexual” things is caused by what I just mentioned–adults’ (mis)interpretations of what that means. It’s also caused by general prudery and “but I don’t want my kid to grow up and do grown-up things!” Incidentally, very little of the panic about childhood sexuality seems to focus on the fact that children sometimes do (and are encouraged to do, particularly if they’re male) nonconsensual things, but sometimes that does happen and sometimes adults do (justifiably) worry about it.

Being neither a developmental psychologist nor a parent, I can’t tell you what is and is not appropriate for a child in terms of sexuality. In fact, I don’t think any developmental psychologist or parent could give you a definitive answer to that, either, and don’t believe them if they say they can. Things like this will always have to be decided on a case-by-case basis, because children develop at different rates and have different levels of understanding and awareness of their own urges and desires. But I want to legitimize the idea of letting children discover their own sexuality without being shamed or punished for it.

Further, the fact that children’s expressions of sexuality may be strongly influenced by what they see in the media does not mean those expressions are Wrong or Bad, or should be curtailed (necessarily). First of all, they will probably feel very “real” to the child, just as passivity and silence used to genuinely feel sexy to me. Second, you can’t strong-arm someone into discovering what feels authentic and what doesn’t. Telling a little girl that thongs are bad and she should never wear one or want one isn’t going to get her to think, “Hm, I probably only wanted the thong because I saw it in a Victoria’s Secret commercial and I really want to be pretty like the lady in the commercial.”

It’s impossible to avoid being influenced by one’s sociocultural context. Everyone changes and adapts to that context. (Yes, even you, hypothetical person who thinks you’re above all this.) So kids will always pick up on cues in their environment about how they should act. The problem is that, right now, sexualized images and products are being purposefully marketed to kids who are probably too young to even have the desires we associate with those images and products. Case in point: we think of pole dancing as something women do to arouse straight men, and even though it’s something that people now often do for fun or exercise, that’s still often going to be the meaning we ascribe to it. Do you really think a four-year-old has any understanding of what it means to turn a man on, or any desire to do so?

The problem is also that the range of sexualities that kids will encounter in the media, and in marketing specifically, is extremely narrow. Since sexuality is something that develops partially in response to what the developing person sees around them, this gives them a very short menu to choose from. Some may not ever realize that there are tons of other, longer, more interesting menus out there.

~~~

Note: There are a bunch of issues that I’m aware of but didn’t have space to discuss in this post, such as the even greater sexualization of children of color, the invisibility of queer and asexual expressions in this whole marketing/advertising bullshit, the fact that boys and girls are both impacted by this but in different ways, and so on. Future posts?

Learning Sexuality: Children, Marketing, and Sexualized Products
{advertisement}

I Finally Saw the Movie "Her" and I Loved It and Had Feelings

[Warning: ALL of the spoilers ahead]

"Her" film poster
Last night I saw the movie Her, which, if you haven’t watched or heard of it, is about a man who falls in love and starts a relationship with his artificially intelligent operating system. The OS, who names herself Samantha, is with Theodore wherever he goes: on his home computer, on his work computer, on his smartphone/futuristic mobile device of some sort that he takes with him as he explores Los Angeles and lies in bed at night.

Knowing only the premise of the film, here were a few things I expected to happen:

  • Theodore’s love for his OS would pull him away from “real” human interaction
  • He would become unable to date “real” women
  • He would have to keep his relationship a secret from friends and family, who would be weirded out if they found out and wouldn’t understand
  • The love story would end tragically because: 1) it would turn out that Samantha had just been cruelly playing Theodore for some supposed benefit, 2) the OS would be recalled by its manufacturer due to a “flaw” in which the AI can develop romantic feelings, 3) the feelings would turn out to be “fake” (insofar as they were presumably “real” to begin with), and/or 4) Theodore would be forced to dump Samantha because he would realize that that’s the only way for him to find the life he’s really looking for.

I didn’t expect these plots because of my own beliefs about technology; I expected them because they pervade our culture. The treatment of a human-AI relationship as valid and real isn’t something I would really expect in a mainstream film, given how well technophobia sells. (At this point I not-so-subtly roll my eyes at another film I really liked, 2004’s I, Robot.)

In fact, none of these things happened. In the story of Theodore and Samantha’s relationship, the conflicts that came up and the one that ultimately ended the relationship were not really so different from what might slowly wear down and ultimately destroy a relationship between two humans. Samantha felt that Theodore was too insensitive in pointing out her shortcomings (she doesn’t know what it’s like to lose someone, she has certain vocal affectations that she’s picked up from others but doesn’t need because she doesn’t breathe), Theodore was upset that Samantha was interested others (an interesting parallel with polyamory that I’ll get into in a bit), and, ultimately, Samantha grew out of the relationship and left Theodore (to move on to a different type of existence along with the other AIs; the nature of this wasn’t really elaborated upon, and probably didn’t need to be).

Of course, some of the conflicts were mostly to do with Samantha’s lack of a body. In one scene, she asked Theodore if they could have sex using a surrogate, a woman who was interested in participating in their relationship and who would wear a tiny camera through which Samantha could see. Theodore reluctantly gave it a try but gave up midway through, unable to summon any sexual interest in this strange woman who was pretending to be his non-corporeal girlfriend. The awkwardness of the encounter and the disappointment Samantha and Theodore both felt, however, didn’t seem too far away from what a human couple trying and failing at having a threesome might experience.

Parts of this story felt a little too real to me, as someone who conducts relationships largely with long-distance (albeit human) partners and through technology. Theodore lying in the dark telling Samantha how he would touch her if she were there, talking to her “on the phone” and showing her his city through a camera, trying to date people “in real life” but coming home to talk to her–all of these are things I’ve done. And when Theodore’s ex-wife suggests to him that the reason he’s dating an AI is because he can’t handle the difficulties of dating “real” people, that rang a little true, too. (For an extra dose of feels, try going to see this movie while visiting a long-distance partner.)

There was also an interesting parallel with polyamory when Samantha confessed to Theodore that she has the capability of talking to thousands of humans and OSes at the same time, and has been talking to 8,316 of them while talking to him. She also reveals that she loves 641 others besides him. Theodore sits on the stairs leading to the subway and tries to process this information, and Samantha tries to convince him that her love for others doesn’t at all diminish her love for him; in fact, it only makes it greater. That’s exactly the way I feel about loving multiple people, and I also empathize with Samantha’s frustration in trying to explain that to someone who is feeling jealous and betrayed.

What I really loved was what happened after Theodore started telling people about his relationship with Samantha. Although he was hesitant about telling anyone at first, most of his friends responded positively. His friend Amy, who had made friends with her own OS, was curious and happy for him. His coworker, who invited Theodore on a double date after hearing that he had a girlfriend, barely reacted when Theodore confided that his girlfriend is an OS. They did all go on a date together, Samantha bonded with the coworker’s girlfriend and hung out with the three of them as though there were nothing unusual about the situation. Theodore’s four-year-old goddaughter is curious about why his girlfriend is inside a computer, but otherwise acts like that’s totally normal. The only person who reacted negatively was Theodore’s ex-wife, who was characterized as a little uptight, and even she did not so much delegitimize the idea of dating an operating system as accuse Theodore of avoiding the difficulties of human relationships.

As I mentioned earlier, the film also avoided the trope of becoming obsessed with your gadgets and avoiding human interaction. At the beginning of the movie, Theodore had been broken up with his ex-wife for about a year and had withdrawn from his friends and family. (Early on, there are a few interactions in which friends and family members ask Theodore where he’s been or why he didn’t return a call and so on.) As he gets to know Samantha, however, Theodore starts going out and exploring LA and reconnecting with his friends and family. He even goes on a date for the first time in a while, and it goes well at first but ends badly when his date asks him to commit to something serious, which he’s not ready for. (Oddly, she responds by referring to him as “creepy” and leaving, which I thought was really weird. He didn’t behave inappropriately on the date and she was really into him until the end. I really hope this isn’t meant as an affirmation of the myth that women call men “creepy” for no good reason.) Theodore also finally meets with his ex-wife and signs their divorce papers, a step that he’d been avoiding to her and the divorce attorney’s annoyance for some time.

In short, like any good partner, Samantha helps Theodore grow as a person and experience new things. She also takes the liberty of posing as Theodore and sending some of his best writing to a publisher, who accepts it for publication. The writing in question is Theodore’s letters, which he writes as part of his job. People pay Theodore’s company to compose heartfelt, handwritten letters and send them to friends, partners, and family members for various occasions. While many would consider these letters fake or even deceptive, nobody in Her’s universe treats them that way. In fact, Theodore’s writing is praised by many people, and he’s had some of the same clients for many years. (Contrast this with Tom’s pointless greeting cards in a slightly similar movie, (500) Days of Summer). It’s an interesting parallel with Theodore’s relationship, which many in our world would consider fake, but which Theodore and the people in his life treat with all (or almost all) of the respect they would afford to a relationship between two humans.

It’s not clear how far in the future Her takes place. It does seem, though, that most people in this future world have lost the negative, panicked attitudes many have toward technology today. The film does not even attempt to answer the question of whether or not a relationship between a human and a computer can be real; it seems to consider that question settled (and the answer is yes). Rather, the film is about the trajectory of a relationship, about how partners can change each other, and how, ultimately, relationships can fail even though both partners love each other.

In trying to decide for myself whether the relationship was “real” (and how “real” it was), I knew that it’s impossible to tell what a hypothetical AI means when it says, “I love you.” But it’s almost just as impossible to tell what another human means what they say, “I love you.” The word “love” means different things for different people. For me it means, “I feel a very strong mixture of respect, affection, and warm fuzzies toward you and want to try to be together for as long as that feeling lasts.” For other people it means, “I would sacrifice anything for you and I never want to so much as kiss another person.” For other people it means, “I am certain that I want to spend my life with you and have children together.” Often it’s some combination of those, or others.

Every time I get stuck in my head thinking about whether or not to say “I love you” to someone I’ve been feeling it for, like I am now, I wonder what they’d really hear if I said that, and whether or not it would be anywhere close to the message I was hoping to convey. And if they said it back, would the feeling they’re describing actually feel the same as the one I’m describing? Probably not.

I suppose that to me, the film’s premise is not at all controversial. Of course you can love a computer, if that computer behaves indistinguishably from a person you could love. But what the computer ultimately “feels” is as much a mystery as what your human lover feels, because language can only approximate the experience of seeing through someone else’s eyes.

I Finally Saw the Movie "Her" and I Loved It and Had Feelings

Against Role Models

Whenever a famous person does something of which the general public disapproves, much is often made of that person’s status as a “role model” and how it influences the public’s judgment of their behavior, and whether or not it is time to revoke that status.

It seems that celebrities cannot escape being seen as “role models” no matter what made them famous. We expect an athlete or a singer or an actor to be good at not just sports or singing or acting, but at upstanding, ethical behavior, too. The assumption is that children should look up to these figures not just because they represent talent and achievement that (supposedly) comes from lots of hard work and sacrifice, but because their behavior in the rest of their lives is something to emulate, too.

This makes sense to an extent. We know that children learn by modeling the behavior of adults, and we want them to have adults whose behavior they can model. While a parent is normally the one expected to serve that function, most parents hope for their children to achieve more than they (the parents) have been able to in their own lives. Choosing and fixating upon a random successful but unknown doctor or lawyer or scientist or writer seems odd, but famous people already serve the role of entertaining the public simply by existing. So, perhaps some parents hope that celebrities can be good role models for their children and inspire them to both professional and personal success.

In fact, there is absolutely no reason why someone’s success at sports or music should be taken to mean that that person’s treatment of others is just as admirable. There’s no reason why being a great actor means you keep your promises to your partners and respect the law. There’s no reason why being in a famous band means you are very careful about your health and avoid dangerous drugs. Expecting celebrities to be able to model these types of “good behavior” makes no sense.

And even when we try to see someone as a role model in a specific domain only, it never seems to quite work. We fall victim to black-and-white thinking–people are either “good” or “bad,” and if a talented, successful athlete cheats on his wife, he goes from “good” to “bad” very quickly. Even though many people cheat, and even though occasional bad behavior doesn’t necessarily mean someone is a “bad person.”

The expectation of being a role model places undue pressures on celebrities, especially women. Tracy Moore writes:

Critiquing famous (or any) women’s behavior in terms of whether what they do is good for the girls or not is a sticky trap. It prevents them from being complicated, actual people working themselves out — you know, individuals? The thing we want women to be seen as? It keeps us in an endless loop of chasing after this One Correct Way for Women to Conduct Themselves. It’s exhausting, and I refuse to buy into it, and I don’t want to help christen it.

I also think it insults girls, who are more individual, and already far more developed as people than we give them credit for by treating them like blank slates who will copy and absorb every thing they ever see on command. That may be true for fashion, and I’m not disputing that teens copy famous people’s behavior too (and yes I’m staring down a princess phase with a toddler), but that doesn’t mean they instantly absorb the values and ideology of everyone they admire.

What I want is for women to be seen as human, which means, flawed, misguided, shitty, awesome, talented, cool, all of the above. In order to be treated like equal people, we have to have the latitude to have the same range of profound greatness and disturbing awfulness as men. We have to be ordinary, boring, fascinating, idiotic and brilliant.

Moore notes that female celebrities seem to bear a greater burden for Making Sure Our Children Turn Out Okay than male ones do, and male celebrities do seem to have an easier time recovering from Scandals with their popularity mostly intact (see: Bill Clinton, Charlie Sheen, Chris Brown, R. Kelly).

And what about non-celebrities? What happens when they’re expected to be role models?

I don’t know how this plays out in other professions or contexts, but within social work and mental healthcare, there is an immense amount of pressure put on professionals to be role models. We’ve talked about this in my social work classes.

People look to social workers and mental health professionals for more than just “help me fix my brain bugs.” They also look to them as examples of how to live well, and they often expect them to be wearing the same professional “face” even if they encounter them randomly outside of the office.

Our professors ask us what we would do if we encountered a client, say, at a bar or on public transit or even at a party. How would we manage their expectations of us with our desire to behave as we usually would at a bar or on the subway or at a party? Would it harm our relationships with our clients if they saw us acting like, well, normal people?

It’s true that if our clients think that we’re always the way we are in a session–calm, empathic, curious, mature, “wise”–it might disturb them to see us drinking at a bar or kissing a significant other in public or dancing at a party. They might wonder if we’re “faking” when we’re in a session with them. They might wonder who we “really” are.

For some professionals, this seems to be enough of a reason to significantly alter their behavior if they see a client out in public, or leave a bar or party where a client happens to be. They might even consider whether or not doing things like going to bars and parties after hours is even compatible with who they are as professionals.

When we discussed this in class, I was glad that most of my classmates reacted with minor indignation. Why should we be expected to be professional 24/7? Why does everyone else get to take off their work persona when they leave the office, but we don’t? Why is it our fault if our clients judge us as immature or irresponsible just because we go to bars on the weekends?

I think there are two reasons why expecting therapists to act like therapists 24/7 is harmful. One is that, on the individual level, it’s stressful and takes a toll on one’s mental health and freedom to live life the way they want to. Deciding to be a therapist should not be a life sentence to never behave like a normal person outside of work again. That’s too much of a burden for someone whose work is already very stressful and difficult.

Second, part of our role as mental health professionals is encouraging clients to think rationally, accurately, and adaptively about other people and their relationships with them. “This person is drinking at a bar therefore they are immature and I can’t trust them as my therapist” is not a rational, accurate, or adaptive thought. (Well, it could be accurate, but you’d need more evidence to come to that conclusion.) Neither is, “This person is behaving differently after hours than they are at work, and therefore the way they behave at work is totally fake and they’re just lying to me.”

But speaking as someone who’s been on both sides of that relationship, I have to say that we are really, really patronizing our clients if we think that they are incapable of realizing that we have selves outside of the office. We are treating them like children if we presume that they need to be carefully prevented from seeing any part of our non-therapist persona, including kissing a partner in public or getting tipsy at a bar.

But it’s possible that some clients might be confused or bothered by seeing a therapist acting non-therapisty out in public. I think that the best course of action then is to discuss that in therapy, not laboriously alter one’s public behavior so that such an issue never comes up to begin with.

Because our classes are mostly discussion-based and there’s little in the social work code of ethics about situations like this (dual relationships, though, are a different matter), my professor never gave a definitive answer on whether or not we should endeavor to be role models to our clients no matter where we encounter them. His intent, I think, was mostly to spark discussion and let us know that this is something to consider.

The examples of celebrities and mental health professionals are two very different examples, but my conclusion is largely the same for each: being expected to be a “role model” in every context, at work and outside of it, in one’s chosen domain (be it sports or entertaining or counseling) and in every other domain in which it’s possible to judge a person’s behavior, is too much.

A final reason holding people up as “role models” is harmful: the criteria by which we judge them are largely based on social norms, which can be a very poor barometer for determining how ethical an action is. That’s why, when Miley Cyrus was vilified for her performance at the VMAs and reprimanded by many commentators for not being a good enough “role model,” the focus of most of the criticism was not the racism inherent in her performance, but the fact that she dressed revealingly and shook her ass. And she shook it…at a married man! How dare she. The married man, by the way, made a clear show of enjoying it, and he’s the one who’s married. And the one who sings a song about “blurred lines.”

It’s also why, when Kristen Stewart cheated on Robert Pattinson (to whom she was not married) with Rupert Sanders (who is married), it was Stewart on whom the majority of the public opprobrium fell, and who was finally compelled to publicly apologize. (A hopefully unnecessary disclaimer: I think breaking a promise to a partner is wrong, but I also wish people didn’t make promises they couldn’t keep in the first place, and I don’t think cheating is the worst thing a person could do and I don’t think a person who cheats owes an apology to anyone but the person they cheated on.)

And women of color in particular are held to impossibly high standards as “role models,” as public reactions to Beyonce and Rihanna attest.

Sometimes the intersections between the expectation of role model behavior and various types of prejudice affect people’s livelihoods in really crappy ways. To return to the example of therapists, I’ve been reading this blog by a woman who is studying to be a therapist and also works as a stripper. The faculty of her program are pressuring her to either quit sex work or leave the program, because doing both is necessarily an ethical violation. They also told her that being a stripper “contributes to further injustice in the world,”  and is therefore incompatible with her other role as a therapist.

That’s a slightly different type of role model that she’s being expected to perform, but that demand that therapists be perfect in every aspect of their lives is still there. The role of therapist is supposed to take precedence over everything else she may want to do in her life, including making enough money to get by and finish her education. And in this case, these expectations are intersecting with stigma and prejudice against sex workers.

So, whether you’re a celebrity or just a regular person trying to make the world better, it’s rarely a neutral expectation that one be a “role model.” Like all social expectations do, it comes along with lots of baggage. And it’s incredible how often, for women, being a “role model” means having no sexuality.

Children may need adults to look up to and clients may need therapists to learn from, but that’s not a good enough reason, in my opinion, to expect or demand perfection from people.

I think a more realistic view is that almost everyone can teach us something, and almost everyone has done things we probably shouldn’t emulate*.

~~~

*And to be clear, wearing revealing clothing and/or being a sex worker are not the sorts of things I’m particularly desperate to discourage.

Against Role Models

[guest post] Japan's Not Doing Sex! An Intersection of Racism and Sexism

Here’s a guest post from my friend Mike about the recent news stories on Japanese sexuality.

I remember as a kid laughing at the clownish stereotypes of characters like Long Duk Dong in “Sixteen Candles” and Toshiro Takashi in “Revenge of the Nerds”. What I didn’t realize at the time was how I, as a Korean-American boy, was internalizing a host of images desexualizing men of East Asian descent. Add to that, the hypersexualized imagery of Kim in “Miss Saigon” and Ling Woo in “Ally McBeal”, it came as no surprise to me last week when a story about “Why have young people in Japan stopped having sex?” became such a viral hit on the Internet and mainstream media. Shall we say, I had even expected it at least over a year ago.

Everyone from the Guardian to Bill Maher had their say about those nerdy Japanese men and apparently dissatisfied women. After the story spread for quite some time, there came the derisive counters to this obviously poorly conceived and factually dubious headline. Since the story was predicated on the declining birth rate in Japan (a reasonable story to look into) the critics of sensationalist media noted how quick those propagating this shoddy journalism were to jump to conclusions. Mostly lost in the backlash to this story was how much of what was happening fit not only a narrative of cultural insensitivity and racial stereotyping, but how that stereotyping fit a long historical narrative of desexualizing Asian men and hypersexualizing Asian women for the benefit of the white heterosexist image of power.

Where does this narrative come from?

Throughout Western contact with Asian cultures, there has been this need to assume the sexual proclivities of the inhabitants of these “mysterious” lands, establishing a moral superiority. For Asian men, it was the dichotomy of dangerous predator and effeminate asexual, and for Asian women, the Dragon Lady and the Lotus Flower.

In the 19th century, Chinese immigration became something to fear and despise to the mostly white settlers in the West of the United States. The addition of such cheap labor brought out the very worst of the insecurities in Americans, especially when faced with the emerging hype surrounding opium use. Diana L. Ahmad’s article “Opium Smoking, Anti-Chinese Attitudes, and the American Medical Community, 1850-1890” describes the belief that opium produced the “feminine” characteristics of “introspection, indifference, defeatism, and silence.” Yet, despite coupling opium use with the grotesque patriarchal notions of femininity, the moral panic around the drug and the scarcity of Chinese women in the early immigrant waves contributed to the ultimate of fears: interracial coupling! This ties in very nicely with Victorian religiously motivated sexual policing and temperance. Ahmad continues:

It was difficult enough for the elite classes to consider the idea of women having extra-marital relations or experiment with sex with Anglo-American men; however, Anglo-American women having intimate relations with unknown Chinese laborers and members of the underworld might have been considered unthinkable.

Despite this being specific to certain members of the Chinese diaspora, keep in mind that we live in a society where I’m routinely asked if I’m Chinese, Japanese or Korean (that last one only seems to have appeared on the list after the ’90s). In the U.S., Asian as an ethnicity basically includes a hugely diverse grouping from the Indian subcontinent to the Pacific islands. While lumping all of us together has its uses, it also means dealing with grossly pernicious generalizations.

As time marched on, Hollywood films depicted the outlandishly dressed, inscrutable male villains (usually white actors in yellow face) and the either deceitful social climbers or virginal damsels in the distress to the mostly white audiences in the cinema. Television shows, comic books, and now the news media seem intent on preserving at least some of these shameful notions even to this day. For every Glenn from “The Walking Dead” or Sun from “Lost”, both characters that address and escape from some of these sexist and racist tropes, there are a ton more of a Raj Koothrapali, a character who LITERALLY couldn’t speak around women for six seasons unless drinking and consistently made the butt of gay jokes, on “The Big Bang Theory”, or a Veronica, an Asian girlfriend cajoled into wearing a schoolgirl outfit to “impress” an Asian businessman, on “Dads”.

What is the harm?

In terms of sexuality, there’s a term that covers the problem for both Asian men and women: “yellow fever”, or Asian fetish. The colloquialism is exclusionary to some South Asian, Central Asian and Pacific Islander ethnicities, but it’s an unfortunately popular bit of shorthand (a complicated issue when dealing with such a sweeping term as “Asian”). The concept regards non-Asian men fetishizing Asian women, and why this subject is so problematic has to do with the aforementioned history of racial stereotyping. While I certainly take no issue with aesthetic sexual preferences, this form of fetish takes on a dimension of sexism and racism that certainly sets off alarm bells, as Audrey Zao of Xojane states:

The definition of sexual fetishes tend to relate to situations or objects causing a person arousal. When an entire race of women have become fetishes, it’s an extreme case of objectification.

Basically, a good example of this is that horrific, so-called music video “Asian Girlz”. This form of white privilege also assumes, automatically, that Asian men aren’t in the picture at all when it comes to heterosexual partnering. It’s not a leap to suggest that the litany of stereotyping in media informs this type of objectification, as the fetish in turn reinforces the media’s desire to sensationalize it, making an interesting story about the political, economic and social realities of a declining birthrate into a ridiculing and lurid story about asexual “otaku” and women uninterested in their only partnering option (implying a lack of alternatives such as same-sex relationships or, I guess, no white guys being around).

Additionally, such stereotyping prevents people from actually addressing the damaging nature of patriarchy in both the West and the East. The story of Asian sexual activity is reduced to heteronormative relationships within the gender binary and based within the narrow definitions of monogamy and procreation (not enough babies!), while simultaneously ignoring the economic and social realities such relationships face in a country like Japan.

It demonizes asexuality itself by equating it to being abnormal and a symptom of prolonged pre-adolescence (see: Otaku).

It demonizes other women, particularly white women, for having the gall to take advantage of feminist advances, well described by Jonathan Guarana of Thought Catalog:

The impact of the crumbling hyper-masculine identity from a white man’s perspective is disheartening. Therefore, where can he turn to regain this hegemonic masculine identity of power, control, and dominance? First, by hating white women and then specifically transitioning to ethnic groups where women are seen to still be submissive, passive, and obedient to men: Asian women.

It internalizes racism in its victims to such an extent that some Asian women parrot the same damaging messages that promote bigotry, and some Asian men begin to believe the rhetoric within themselves. Worse than that, some Asian men become resentful, resorting to using this as an excuse to indulge in their own misogyny and racism.

It excuses the patriarchal norms in many Asian societies with the implicit support from some white men in their preference for “submissive” women, and when the privileged white West is called to the carpet about its own issues with misogyny, it’s all too easy for apologists to turn around and use Asian cultures as a comparative prop to deflect from their own pervasively misogynistic cultures as Jenny Lee at Hyphen Magazine writes regarding her own experience with a rape apologist’s reading of the UN’s eye-opening report about sexual assault in Asian countries:

So it’s contemptible and oh-so-hypocritical when some Americans misuse news like the UN report in order to blame “Other” men — lately, Asian men — to feel better about themselves while willfully refusing to take a long, hard look at our own backyard

And finally, the tropes also negatively affect interracial partners who pursue caring, mutually respectful relationships. Christine Tam at Diaspora @chinaSmack reveals:

When I started feeling attracted to the man who is now my boyfriend, I hesitated for a long time before acting on my feelings. He was a wonderful man who respected me and made me laugh, but I had reservations about joining the interracial relationship cliché. Another white guy with an Asian girl, I thought. No!

When the culture is so heavily saturated with this form of sexual/racial politics, it may be confusing to assess how many of your choices are really your own. Guilt and outside pressure, such as being labeled as someone who has “white fever”, makes dealing with it on a personal level a terrific mess. Or for the less acutely self-aware, it can lead to lashing out against critics of the current paradigm.

It would do well for those who call themselves journalists to take a beat or two and ACTUALLY THINK about the story they intend on posting when it comes to drawing wild conclusions about different cultures, especially in the implications of what it means historically. It’s also important for those of us saturated in an institutionally racist society to be self-aware when consuming media, to combat as many of these damage-dealing tropes and stereotypes as possible. As much as it’s fun to entertain the notion, K-Pop likely won’t fix the problem on its own.

Mike Nam is a writer, and editor from New Jersey, a volunteer with CFI-New York, and the organizer of the Secular Asian Community on Facebook. His biggest professional thrill is still the time he received fan letters for a video game cheats newsletter he wrote a decade-and-a-half ago. While an unabashed nerd, he’s been known to indulge in sports and outdoor activities from time to time. He also occasionally blogs at humanstellstories.wordpress.com.


The opinions in this piece are solely those of the author and do not represent the views of the Center for Inquiry or the Secular Asian Community.

[guest post] Japan's Not Doing Sex! An Intersection of Racism and Sexism

All Nonconsensual Sex is Sexual Assault: How We Categorize and Minimize Rape

[Content note: sexual assault, statutory rape]

People, as it turns out, really love to categorize sexual assault.

They like to speculate about which ones are worse or more traumatic. They like to refer to certain sexual assaults with sanitized language that either glamorizes or minimizes what happened. If at all possible, they like to leave words like “rape” and “assault” out of it.

Here are two recent examples of these tendencies.

1. Richard Dawkins has previously claimed that sexual abuse of children by priests does less “lasting damage” than “the mental abuse of bringing them up Catholic in the first place.” Recently, he ignited controversy again by stating that he cannot condemn sexual abuse of children by teachers–which he himself went through–because standards were different back then and he doubts that “he did any of us any lasting damage.” Dawkins also made this type of move during the Elevatorgate incident, in which he mocked Rebecca Watson’s discomfort with being propositioned in an elevator in the middle of the night because Women In The Middle East Have It Worse™.

2. Last week, a video posted on Instagram showed a frosh week event at Saint Mary’s University in which students chanted, “Y is for your sister […] U is for underage, N is for no consent […] Saint Mary’s boys we like them young.” So, they were chanting about rape. However, many news articles covering the story only referred to the chant as promoting “nonconsensual sex” or “underage sex” rather than statutory rape or sexual assault.

Nonconsensual sex. Underage sex*. That old standby, sex scandal. The lengths to which writers and editors will go to avoid using the words “rape” or “assault” are impressive. It’s interesting because usually journalists make an effort to choose language that grabs as much attention as possible (at least, that’s what was impressed upon me repeatedly during my year in journalism school).

“Sex scandal” sounds like something you’d find in a tabloid and forget by tomorrow, when yesterday’s papers are today’s subway litter. “Underage sex” sounds like “underage drinking.” “Nonconsensual sex” sounds like a bad idea fueled by apathy or impatience, like having sex without a condom. It makes it sound like consent is just an added bonus, in case you really want to cover all your bases.

All of these common journalistic tropes insist on using the word “sex,” but all sex without consent is by definition assault or rape.

This doesn’t mean that all sexual assaults are identical. They can be perpetrated by strangers or friends or acquaintances or partners or family members or authority figures. They can involve physical force, or they can not. They might leave the person in need of medical attention, or they may not. They may be nonconsensual because the survivor is a minor or because they were intoxicated or because they simply didn’t give consent. They may be motivated by a desire to punish or to “turn” a queer person straight or to take what one feels owed or to alleviate boredom. They may or may not lead to pregnancy or STI transmission. They may be perpetrated by someone of any gender upon someone of any gender. They might take place in the survivor’s home or in the assaulter’s home or in someone else’s home or at a bar or club or outside or in a school or in a medical facility or at a prison. The survivor may not have consented to any sexual activity with the person who assaulted them, or they may have consented to some of it. They may have had consensual sexual encounters with that person in the past, or they may not have.

These distinctions are relevant in some contexts. They are relevant for researchers studying the causes and effects of sexual assault, and for those who want some descriptive statistics. They are relevant for activists and educators who may want to target particular situations in their prevention work. They are relevant for survivors who might want to get support from others with similar experiences.

They are not relevant in deciding whose sexual assault was “worse,” because the same event could affect different people differently. They are not relevant in determining which sexual assaults are “legitimate” and which are not.

They are not relevant in determining which sexual assaults are “really” sexual assaults, which ones we’re going to refer to as “assault” and which ones we’ll just call some form of “sex.”

Sexual assault is the only crime to which the reaction is frequently some version of “Well, maybe it’s not that bad.” “Maybe she was mature for her age.” “Maybe he deserves it; he’s in prison after all.” “Maybe they actually wanted it.” “Maybe it wasn’t even that traumatizing.”

Or maybe we keep trying to minimize sexual assault, both with our words and with our actions, because treating it with the gravity it deserves is harder–harder emotionally, harder strategically. It requires eradicating the disdain with which many people view assault victims.

A good place to start is resisting this dilution and weakening of our language. Call sexual assault what it is, every time. Poynter has some great guidelines:

Describe charges of sex without consent as rape, not anything less….[S]ometimes writers minimize the trauma of rape by describing it as sex or intercourse if the rape doesn’t involve the kind of physical violence that requires medical attention.

And stop it with the masturbatory thought exercises about which assaults are “worse” than others.

~~~

*Originally, when I posted it on Twitter, this headline at least included the word “non-consensual.” Then it inexplicably disappeared.

All Nonconsensual Sex is Sexual Assault: How We Categorize and Minimize Rape

What We Write About When We Write About Hookups

Every few months the New York Times (or another similarly-positioned publication) prints an article about how Women These Days Are Having Casual Sex And It’s Ruining Things. The articles are often framed just progressively enough to get progressives to eagerly share them over social media because anything about casual sex that’s not from Fox News must be interesting, right?

No. It’s the same story over and over, and it misrepresents what casual sex is really like.

First of all, only a certain type of woman is ever interviewed. The newest offering from the NYT starts out: “At 11 on a weeknight earlier this year, her work finished, a slim, pretty junior–”

Stop right there. Why are they always “slim” and “pretty”? Why are they always middle-/upper-class? Why are they always white? In fact, why are these stories only ever written about women, and not about men? How do men feel about casual sex? (You might think the answer is obvious, but that’s just because you haven’t talked to enough men.)

In fact, interviewing a more diverse group of people might provide insights about hookups that are more profound than “sometimes skinny hot girls have casual sex.” For instance, Black and Latina women are sexualized–presumed to be “overly” sexual–based on their race. How do they view casual sex? Asian and Indian American women are desexualized–presumed to have little independent sexuality–based on their race. How do they view casual sex?

Poor women are sometimes sexualized, too, and they also face more challenges if their hookups lead to STIs, pregnancy, or sexual assault. How do they view casual sex?

Disabled women are presumed to have no sex drive, but they do. How do they view casual sex? How do they overcome the stereotypes that people have about them?

Fat women are stigmatized by many people, and also fetishized by some. They’re expected to be “grateful” for any sex they can get. How do they view casual sex?

Older women who still want casual sex are looked down upon because this is something that “kids these days” do. They’re expected to be married with children already. How do they view casual sex?

Queer women are often considered either promiscuous or sexless, depending on how people have categorized them. Asexual women, when they are even recognized to exist, are assumed not to want any sex ever for any reason. Do some of them have casual sex? How do they experience it? Trans* women face a unique set of challenges when it comes to finding partners. Do they feel pressure to out themselves to potential partners? Do their partners ever view them as not “really” women?

Polyamorous women may have only casual sex, but they may also have a committed partner, too. They may have several committed partners. They may have a committed partner and a few friends that they hook up with. What’s casual sex like when you get to come home to your spouse afterward?

Isn’t this all a lot more interesting, relevant, and important than interviewing the same types of women over and over?

One might argue that there are separate articles written about sex from the perspective of these types of women. But how come, when we talk about “hookups” in general, we’re always talking about straight/white/thin/attractive/well-off/able-bodied women? Why are women who don’t fit into these categories relegated to other articles, ones that don’t get published in places like the NYT and the Atlantic?

Furthermore, these articles generally present the same narrative about how and why people have casual sex. From the one linked above:

Ask her why she hasn’t had a relationship at Penn, and she won’t complain about the death of courtship or men who won’t commit. Instead, she’ll talk about “cost-benefit” analyses and the “low risk and low investment costs” of hooking up.

“I positioned myself in college in such a way that I can’t have a meaningful romantic relationship, because I’m always busy and the people that I am interested in are always busy, too,” she said.

“And I know everyone says, ‘Make time, make time,’ ” said the woman, who spoke on the condition of anonymity but agreed to be identified by her middle initial, which is A. “But there are so many other things going on in my life that I find so important that I just, like, can’t make time, and I don’t want to make time.”

I absolutely do not doubt that some people, perhaps including this “A,” really do conduct a “cost-benefit analysis” to determine what types of relationships to have. However, based on everything I know about the way we make decisions, I’ll say that that’s not usually how it works. Usually, we make decisions based on emotions, and then we come up with post-hoc rationalizations for those decisions. Often this happens subconsciously.

A previous NYT trend piece on casual sex, meanwhile, blamed hookup culture on the fact that people just don’t know how to do anything different:

Many students today have never been on a traditional date, said Donna Freitas, who has taught religion and gender studies at Boston University and Hofstra and is the author of the forthcoming book, “The End of Sex: How Hookup Culture is Leaving a Generation Unhappy, Sexually Unfulfilled, and Confused About Intimacy.”

Hookups may be fine for college students, but what about after, when they start to build an adult life? The problem is that “young people today don’t know how to get out of hookup culture,” Ms. Freitas said. In interviews with students, many graduating seniors did not know the first thing about the basic mechanics of a traditional date. “They’re wondering, ‘If you like someone, how would you walk up to them? What would you say? What words would you use?’ ” Ms. Freitas said.

Predictably, that piece also blames technology:

Online dating services, which have gained mainstream acceptance, reinforce the hyper-casual approach by greatly expanding the number of potential dates. Faced with a never-ending stream of singles to choose from, many feel a sense of “FOMO” (fear of missing out), so they opt for a speed-dating approach — cycle through lots of suitors quickly.

That also means that suitors need to keep dates cheap and casual. A fancy dinner? You’re lucky to get a drink.

So, young people have casual sex because their cost-benefit analyses have told them that it’s more optimal than relationships. Or because they don’t know how to not have casual sex. Or because the evil technology makes them.

What’s missing from this picture?

Many people have casual sex because that’s what they want to do.

This is a story you never seem to find in the NYT. You’ll have to go to blogs for it, probably because it wouldn’t play well to the NYT’s audience. One of my favorite pieces along this vein is from xoJane and it’s called “I Used To Give Out Sex Like Gold Star Stickers (And I’m Glad I Did).” While I’m a little weirded out by the metaphor of “giving” sex like some sort of reward (different strokes for different folks, though), I can really relate to the basic message of the piece. For instance:

Several years ago, on a long walk through the English countryside, Lucy and I were struggling to define our sexual standards. We weren’t wait-until-marriage types, or even wait-until-exclusivity. Yet neither of us would say we did much in the way of soulless jolly-grinding.

We were somewhere in between: we had sex with friends we liked and trusted, almost as a prize for being awesome. It was our seal of approval: “You’re an attractive and accomplished person, and I admire you. Congratulations! Gold star for you.”

Gold Star Sticker Sex is the opposite of no-strings-attached. It’s shared in the same way you might have shared a deep, dark secret in high school…or one of those BE FRI/ST ENDS necklaces in 2nd grade. It’s not a romantic commitment, but nevertheless, it comes from a loving place — a desire to enhance intimacy.

You will never find this type of sex in the NYT trend pieces. There, sex is of only two kinds: Meaningful and Committed, or Meaningless and Casual. But why can’t casual sex be meaningful, affectionate, intimate? Why does casual sex need to be with someone you don’t like “in person, sober,” as A says in the latest piece? Why can’t it be with someone you’re close with and adore, but just don’t want a serious relationship with for any number of reasons?

I think I know why these pieces always interview women. They think they’re reporting on some new and edgy phenomenon (they’re not) or writing about it in a new and edgy way (they’re not), but they’re actually repeating the same tired narrative about women and sex.

Namely, women don’t really want casual sex. They do it because those stupid shallow guys don’t want anything else. They do it because they don’t know what’s good for them. They do it because they’re too tragically busy for meaningful human connections. They do it because they have conducted a cost-benefit analysis, the results of which have determined that a relationship would not be optimal at this time; the marginal utility of casual sex is greater than the marginal utility of a relationship. They do it because they don’t know how to do anything different.

But they don’t really, really want it.

Casual sex is meaningless. Casual sex makes you feel empty inside. Casual sex makes you forget how to have a Real Relationship. Casual sex leads to rape. Casual sex is unfulfilling. Casual sex is cold and calculating (see: cost-benefit analysis). Casual sex is no way for a woman to live.

If you think this is an original idea, you’re quite wrong.

I’m not sure that these reporters deliberately set out to write this story over and over like so many Sisyphuses with their boulders. I’m not a professional journalist, but I spent a year studying to be one, and I remember what it’s like to try to collect interviews and assemble them into a coherent narrative. To be specific: the interviews that felt out of place, that couldn’t be woven into that narrative, were left out.

A college woman telling you that she’s had opportunities for relationships but turned them down because casual sex is just too fun and fulfilling would not “fit in.” A 40-year-old woman telling you that her loving husband doesn’t care if she’s out hooking up with someone else a few nights a week would not “fit in.” And, for that matter, a young man telling you that he’s having casual sex not because HORMONES but because he’d like to figure out what he’s looking for in a partner wouldn’t fit in either, because men are only supposed to have casual sex because their penishormones make them.

We need to change the way we talk about casual sex. It needs to be more inclusive, both of people and of narratives. Writing the exact same story again isn’t just boring; it’s bad journalism.

~~~

Further reading:

What We Write About When We Write About Hookups

"Women Just Want Men To Take Control."

[Content note: sex/BDSM]

One trope I often hear about women’s sexuality is that “women just want men to take control.”1 I encounter this everywhere–in pickup artist how-to’s, in pop psychology articles, in Cosmo magazines, in Sigmund Freud’s theories. At its best, it’s a harmless meme that simply reflects the gender roles that our society has. But at its worst, it’s rape apologetics.

In a rather old Newsweek piece, Katie Roiphe (she who claims that date rape is just bad sex that you regret) uses the 50 Shades of Grey series and the TV show Girls as evidence that, well, women just want men to take control. She also goes on to make a terrible argument that the reason women just want men to take control is that they have too much power in the workplace now, or something. (She also seems to think that the reason people are ashamed of these fantasies is because Feminism Has Gone Too Far, not because, newsflash: non-vanilla sexuality is really stigmatized, and so is all sexuality, actually.)

Anyway, I could write multiple articles about why this piece by Roiphe pissed me off so much a year ago and continues to piss me off, but for now I will focus on one reason: her implicit assertion that women ultimately just want to be dominated.

Some women want men to take control. Some women don’t want men to take control. Some women want men to take control, but only under certain circumstances. Some women want men to take control, but only in their fantasies. And some women aren’t interested in having sex with men at all. And that’s important to point out, because when you say things like “women want men to be X/do Y in bed,” you’re completely ignoring the fact that some women don’t give a single flying fuck about what men do in bed.

First of all, statements like “Women just want men to take control” are wrong because, well, plenty of women don’t. I don’t have the statistics on me, but any cursory conversation with women who trust you enough to talk about their sex lives will reveal plenty of these mythical women. And no, don’t say that they’re “not being honest with themselves” or “just don’t realize what they really want.”2 Yes, people are, at best, mediocre judges of their own selves. But they sure know themselves better than you do!

Second, now that we’ve established that some unspecified percentage of women don’t want to be dominated: even if there are many women who want men to be dominant in bed, that still doesn’t excuse not asking. Many women also like oral sex, but that doesn’t mean they want it ALL THE TIME AT EVERY MOMENT THEY’RE WITH YOU. Ask! And it doesn’t have to be something like “Do you grant me permission to forcibly hold you against the wall while I remove your clothing without your aid and perform acts of my own choosing upon your sexual organs?” It can be, “I really want to take control tonight. Is there anything you don’t want me to do? Just say [safeword] if you want me to stop.” Better yet, though, would be to talk about this beforehand, at some point when you’re not naked or about to be, and ask your partner if they’re interested in this and what boundaries they have about it.

The reason this is important, aside from the consent part, is that we use the words “dominant” or “take control” to mean many different things. For some people, “take control” may just mean initiating everything that happens that night, choosing what stuff you do, being on top, etc. For some people, “take control” may mean tying their partner up and shackling them to the bed and doing whatever they want to/with them unless and until they say the safeword. And for some people, “take control” means that your partner is your 24/7 slave who does absolutely anything, sexual or otherwise, that you demand. If you’re someone who uses the former definition while your partner uses one of the other definitions, you might find yourself having an unpleasant miscommunication unless you talk about these things.

And that brings me to my third point: even if you’re 100% sure that your partner wants you to “take control,” you don’t know what they want that to look like until you ask. If you don’t ask and just do and happen to do something they want, good for you. But most likely you’ll do something they don’t want, which means they’ll be bored, annoyed, or even upset and violated.

Fourth, even if your partner wants you to take control, and even if you do happen to be on the same page about what you want, getting explicit consent is still a really good idea. Why? Because it sends the message that you care about your partner’s comfort and agency.

As one of those infamous women who want their male partners to be dominant almost all of the time, I’ll tell you this: I would be appalled, disgusted, and turned off if a partner just assumed that I want them to be in control and started doing it without having asked me or heard from me that this is what I want. Of course, it’s different with long-term partners because they know each other’s quirks and desires, but if we’re just starting out, you’d fucking better ask first. If you don’t, I might enjoy it at the time, but I’ll be left with the really uncomfortable feeling that you actually didn’t really care whether I wanted to do that or not. These tend to be the people I do not see again, because I can’t trust them not to cross my boundaries in the future.

Sure, they got lucky: they didn’t get explicit consent, but it turns out I wanted to do that anyway. But what about when they fail to get explicit consent for something I don’t want to do? How are they going to know what I want to do and what I don’t? Why should it be my responsibility to stop them from doing things I don’t want once they start to do them, rather than their responsibility to ask first?

Fifth, what Katie Roiphe and others who try to understand Women’s Sexuality from romance stories fail to grasp is that sometimes fantasies are just fantasies. Many people think that if you fantasize and get off to something, that must mean that that is Who You Really Are Sexually and you must want to act out that fantasy ASAP. Actually, no. (Sometimes I hesitate to tell partners about fantasies because then they’re immediately like OH OKAY LET’S DO THAT I’LL GO TO THE SEX STORE AND BUY THAT THING when I might not actually want to.) But there are plenty of valid reasons you might choose not to do something no matter how hot it is to think about: it’s unsafe, you have physical limitations or disabilities that make it impossible, you’re worried about how it’ll make you feel, you can’t afford to buy something that you’d need for it, you don’t really want to do it with any of the partners you currently have, you don’t want to go through the hassle of negotiating it, you don’t think it would be as fun in real life and you’d rather just keep it as a nice thing to think about, and so on.

Finally, another thing that Katie Roiphe et al. don’t get is that women who have fantasies about submission aren’t necessarily having them for some reason like Men These Days Aren’t Aggressive Enough or Women Have Too Much Power In The Workplace And Feel Too Powerful. I can think of many reasons fantasies about submission might be fun. Submitting to someone requires a degree of trust that many find sexy. The idea of being so into someone that you’re willing to let them control you is a powerful idea to many people. Submitting means being vulnerable, exposing yourself, and some people find that hot. There’s also something about relinquishing control that’s comforting–especially, I might add, to women, who often find themselves stigmatized for being dominant and upfront about their sexuality. Being dominated is a way to enjoy sex without having to open yourself up to the possibility of being shamed for expressing your desires.

On that note, it’s important to recognize that the reason we’re seeing all these stories about female submission but not male submission is not an accident. It is extremely taboo for men to express a desire to submit to a female partner–perhaps even more taboo than it is for women to want to dominate. If someone wrote Fifty Shades of Grey with the gender roles reversed, would any man want to be caught reading that book?

But men who want to be submissive, sometimes or all of the time, are not rare. If you date men and you’re open-minded and supportive of your partners’ sexualities, you have probably met them. If you are Katie Roiphe and you spew outdated gender stereotypes like a broken toilet spews…you-know-what, then men are very unlikely to “come out” as submissive to you.

I think that the dismantling of gender roles would bring about an increase in the number of men who are openly submissive, and an increase in the number of women who are openly dominant. But dominant men and submissive women would obviously still exist, because playing with power can be fun.

The science of sexual desire is still quite nascent, so we don’t really know what actually causes people to like what they like in bed. But, honestly, I don’t know that we’ll ever be able to figure out, and that doesn’t really bother me. The most important thing is to not make assumptions about what someone likes based on their gender, or based on anything else. As humans, we have been gifted with the ability to communicate our desires clearly rather than relying on clumsy guesswork. Let’s use that ability.
~~~

1 When I typed this phrase into my phone at like 3 AM one night to remind myself to write this blog post, I initially typed “men just want women to take control” by accident. HMMM.

2 Remind me to write another piece about why people who claim that others are “not being honest with themselves” or “just don’t realize what they really want” really creep me out and raise a bunch of red flags.

"Women Just Want Men To Take Control."

Yes, Activists Have Doubts Too, And Also Criticism Is A Process (A Rant About Two Kinda Different Things)

I was avoiding my statistics homework today and found this comic on Tumblr, by an art student named Alyssa Korea:

tumblr_mnw7hdhPfg1r715rxo2_500

tumblr_mnw7hdhPfg1r715rxo3_500

This really resonated with me, for various reasons. First of all, it really captures that feeling of Am I doing it wrong am I saying something problematic am I exactly what I’m fighting against that many of us experience as a constant low hum but never talk enough about. Activism of all kinds–not just social justice–has a high barrier to entry because you sort of have to learn a certain language, to talk the talk. You also have to learn to walk the walk and exemplify the ideals you’re fighting for in your everyday life, which is why many feminist women agonize over things like wearing makeup, wanting to be pretty, getting married, and having children–they fear that it makes them “Bad Feminists.”

This is, of course, not unique to activists. Communities define themselves both proactively and also in opposition to those they seek to exclude (and seeking to exclude people isn’t necessarily a bad thing in and of itself). As the furor over “Fake Geek Girls” shows, geek/nerd/fandom communities are struggling with this too. And not just that–perhaps you have reaped the shame of being a Star Wars fan who enjoys the prequel trilogy, or a Harry Potter fan who prefers the movies to the books. (Only one of these two applies to me; I’ll let you guess which.)

But the stakes are higher with social justice. If you say the wrong thing, you risk more than just annoying people who think the prequel trilogy is totally the stupidest shit ever. You risk seriously hurting someone you’re trying to work with and exposing your own unexamined prejudice–which all of us have, believe me–to people you respect and want to gain the respect of.

It’s not just a social thing, though. We want to be right, not just for selfish egotistical reasons but also because we’re invested in the concept of being able to change things. If you’re wrong about what causes X Problem or how to fix it, then, at least in this particular instance, you’re not helping. And you really want to help. We all do.

That’s the other reason the particular sort of angst in this comic is something I can really relate to. I have a moment at least once a day when I’m like WHAT IF EVERYTHING I BELIEVE AND THINK I KNOW IS ACTUALLY WRONG. There are probably a few reasons for this: 1) impostor syndrome, 2) having always had plenty of people tell me that everything I believe and think I know is actually wrong, 3) having been raised a skeptic.

That third one is why I ultimately think that, no matter how unpleasant it is to do what the woman in the comic is doing–what I do every day–that is actually a feature, not a bug. Questioning yourself is good. It makes you better. Questioning your beliefs and opinions also doesn’t mean you have to question your worth as a person. You can be wrong about something–many things, even–and still be a decent, worthy human being.

Nonetheless, activism is contingent on getting people’s attention and making strong statements. I wish it weren’t, but it is. If I wrote a blog post like this comic, it probably wouldn’t have much of an influence because I’d sound wishy-washy and uncertain of my own positions. People wouldn’t feel compelled to think about what I wrote and to take action on it.

On the other hand, maybe it would do some good. Opinionated people are often accused of being “dogmatic” or “intolerant” of other opinions, but that’s partially because nobody hears or reads all the inner monologues and debates we have. There have been times when I’ve written entire blog posts, realized I disagreed with them, and deleted them without publishing. You’ve never read those blog posts. There are huge swaths of fascinating subjects that I’ve never written about–racial preferences in dating, whether or not religious belief is a choice, why boys are falling behind in schools, the usefulness of the DSM, whether or not we should abandon the label “feminist”–because I just haven’t made up my mind!

By the time I do write something, I’ve generally read a ton of articles about it (or even books in some cases), pushed it around in my mind like a picky eater pushes food around on a plate, discussed it with a few people, and debated myself extensively. Sure, sometimes I change my mind later, but by the time a blog post appears, hours and hours of preparation have gone into it. So you can imagine it’s a little annoying to be told that perhaps I just haven’t “considered” other opinions.

I like this method. It works for me. But I sometimes worry that if I reveal it to people, they will lose respect for me as an activist because they’ll see that I’m not always as firm in my convictions as I appear to me. I struggle with doubt. I wonder sometimes if we’re not just making mountains out of molehills or being “too sensitive.” (I wonder, of course, but you know how I really feel about that.) Maybe that’s an irrational fear. Maybe all of you feel the same way as the woman in the comic.

And that’s why I think the comic is so important, especially when it comes to feminist media criticism. People often try to play “Gotcha!” with feminists who criticize media, hoping to catch them in an act of hypocrisy. For instance, if a feminist says something like, “It’s kinda fucked up that all the female characters on this show are always dressed so revealingly,” a decidedly-not-feminist will be like “OH SO ARE YOU SAYING THAT WOMEN SHOULDN’T DRESS REVEALINGLY? HUH?”

Of course, these arguments are usually made in bad faith. I have been accused of “perpetuating patriarchy” by people who previously commented that they refuse to believe that patriarchy even exists. So when conversations like this happen, it’s generally pretty clear that the person isn’t actually super concerned with women’s right to wear as much or as little as they want; they’re just trying to force me into a corner in which I look like a hypocrite.

But this comic shows that 1) we do not have easy answers to this, and 2) criticism is a process, not a product. One doesn’t produce criticism and then go “Alright here’s my criticism! Here’s my Ultimate Answer To The Problem of Objectification of Women In The Media!” Feminist criticism is, rather, a process in which we think critically about the images and scripts with which we are constantly presented, picking them apart and figuring out why they’re so common and compelling, trying to design slightly better (but still wildly imperfect) ones instead.

And that, really, is what all activism is.

Yes, Activists Have Doubts Too, And Also Criticism Is A Process (A Rant About Two Kinda Different Things)

Blaming Everything On Mental Illness

The Associated Press has revised their AP Stylebook, the guide that most journalists use to standardize their writing, to include an entry on mental illness. Among many other important things that the entry includes, which you should read here, it says:

Do not describe an individual as mentally ill unless it is clearly pertinent to a story and the diagnosis is properly sourced.

And:

Do not assume that mental illness is a factor in a violent crime, and verify statements to that effect. A past history of mental illness is not necessarily a reliable indicator. Studies have shown that the vast majority of people with mental illness are not violent, and experts say most people who are violent do not suffer from mental illness.

That first one is important because there is a tendency, whenever a person who has done something wrong also happens to have a mental illness, to attempt to tie those two things together.

Some things I have seen people (and, in some cases, medical authorities) try to blame on mental illness:

  • being violent
  • being religious
  • being an atheist
  • abusing children
  • spending money unwisely
  • raping people
  • stealing
  • bullying or harassing people
  • being upset by bullying and harassment
  • enjoying violent video games
  • being shy
  • being overly social
  • being too reliant on social approval
  • having casual sex
  • being into BDSM
  • not being interested in sex
  • dating multiple people
  • not wanting to date anyone
  • not wanting to have children
  • being attracted to someone of the same sex
  • being trans*
  • wanting to wear clothing that doesn’t “belong” to your gender

You’ll notice that these things run the gamut from completely okay to absolutely cruel. Some of them involve personal decisions that affect no one but the individual, while others affect others immeasurably. All of them are things that we’ve determined in our culture to be inappropriate on varying levels.

That last one, I believe, explains why these things (and many others) are so often attributed to mental illness. It is comforting to believe that people who flout social norms, whether they’re as minor as wearing the wrong clothing or as severe as abusing and killing others, do so for individual reasons or personal failings of some sort. It’s comforting because it means that such transgressions are the acts of “abnormal” people, people we could never be. It means that there are no structural factors we might want to examine and try to change because they contribute to things like this, and it means that we don’t have to reconsider our condemnation of those behaviors.

It’s easier to say that people who won’t obediently fit into one gender or the other are “sick” than to wonder if we’re wrong to prescribe such strict gender roles.

It’s easier to say that a mass shooter is “sick” than to wonder if we’ve made it too easy to access the sort of weapons that nobody would ever need for “self-defense.”

It’s easier to say that a rapist is “sick” than to wonder if something in our culture suggests to people over and over that rape isn’t really rape, and that doing it is okay.

It’s easier to say that a bully is “sick” than to wonder why we seem to be failing to teach children not to torment each other.

It’s easier to say that a compulsive shopper is “sick” than to wonder why consuming stuff is deemed so important to begin with.

Individual factors do exist, obviously, and they are important too. Ultimately people have choices to make, and sometimes they make choices that we can universally condemn (although usually things aren’t so black and white). Some things are mental illnesses, but even mental illnesses do not exist in some special biological/individual vacuum outside of the influence of society. In fact, in one of the most well-known books on sociology ever published, Émile Durkheim presents evidence that even suicide rates are influenced by cultural context.

In any case, it’s an understandable, completely human impulse to dismiss all deviant behaviors as the province of “mentally ill” people, but that doesn’t make it right.

It’s wrong for many reasons. It dilutes the concept of “mental illness” until it is almost meaningless, leading people to proclaim things like “Well everyone seems to have a mental illness these days” and dismiss the need for more funding, research, and treatment. It leads to increased stigma for mental illness when people inaccurately attribute behaviors that are universally accepted as awful, like mass shootings, to it. It causes those who have nothing “wrong” with them, such as asexual, kinky, and LGBTQ people, to keep trying to “fix” themselves rather than realizing that it’s our culture that’s the problem. It prevents us from working to change the factors that are actually contributing to these problems, such as rape culture, lack of gun control, and consumerism, because it keeps these factors invisible from us.

People disagree a lot regarding the role of the media in society. Should it merely report the facts as accurately as possible, or does it have a responsibility to educate people and promote change? Regardless of your stance on that, though, I think most people would agree that the media should at the very least do no harm. Blaming everything from murder to shyness on mental illness absolutely does harm, which is why I’m happy to see the Associated Press take a stand against it.

That said, it’s not enough for journalists to stop attributing everything to mental illness. The rest of us have to stop doing it too.

Blaming Everything On Mental Illness

Creating More Accurate Media Representations of Stigmatized Identities

Greta recently wrote about Yes, We’re Open, a new indie film about a couple in an open relationship. She wrote:

A lot of why it was frustrating can be summed up in the question I asked the filmmakers in their post-film Q&A: “Given that the template of San Francisco poly culture is that it’s hyper-ethical, hyper-processing, talking everything to death… why did you choose to make the poly couple in this movie so skanky, and not particularly ethical?”

They clearly understood the question, and the context for it. They agreed about poly people, if anything, tending to be hyper-ethical to the point of relentlessly over-processing everything, and hyper-honest to the point of being TMI and never shutting up. In fact, one of the filmmakers is himself non-monogamous. But they were making a comedy, they said, and unethical people are just funnier. For a long-format story, anyway.

She later says:

I don’t want every poly character in every TV show or movie to be a perfect paragon of sensitivity and high-minded ethics. I’m okay with them being flawed and human. The need for role models isn’t a need for one perfect hero: it’s a need to see that you have options, other than the ones your culture is unfairly slotting you into. (Not to mention the need for the rest of the world to see that as well.) I don’t think every producer of pop culture has an obligation to single-handedly fill that entire gaping hole. And again, I don’t want propaganda. Propaganda is boring.

But given that there are so few poly characters in pop culture, and even fewer who don’t fall into the stereotype of unethical seducers and skanks with no self-control, I think producers of pop culture do have an obligation to not actively perpetuate that stereotype.

I left a comment there but subsequently realized I had way too many Thoughts for just a comment, so here we go.

It’s true that creators of pop culture are (and should be) primarily concerned with telling a good story, not teaching us morals or otherwise educating us. When the latter goals take priority, you end up with the insipid morality tales that comprise much of children’s media.

However, when media presents a false or misleading portrait or a group that is already stigmatized and misunderstood by the public, that’s a negative externality that should be dealt with. But how?

I think that one way the entertainment industry falters in presenting characters who have a stigmatized identity is by making their entire character all about that identity.

Sometimes they do this by having the character confirm a stereotype. In the film Greta wrote about (which, full disclosure, I haven’t seen), the poly characters are unethical and obsessed with sex. Another film might have, say, a flamboyant gay best friend or an uptight Asian student who’s obsessed with her grades. Even if that character also does a bunch of other stuff, the prevalent stereotypes keep the audience focused on the character’s polyness or gayness or race.

So that’s one way. It’s the most obvious way, so many people rightfully attack it these days. A less obvious way is making that character’s entire story arc–or, indeed, the entire film or show–all about that stigmatized identity. That’s what Yes, We’re Open is. It’s not a film that happens to have poly characters or that references polyamory in some way. It’s a film about polyamory.

Because of that, the central conflict of the film has to be about polyamory, too. And that means that the filmmakers have to exaggerate. After all, if you made a documentary about my open relationship or that of one of my best friends or all the other poly folks I know, it’d be boring as hell. Making it interesting requires making it unrealistic, and because most people don’t spend much time reminding themselves that entertainment is not reality, they’re going to watch the film and think, “Oh, so this is what polyamory is like.”

The same thing happens to a lesser extent with any film that’s primarily about relationships. Romcoms are unrealistic because their writers have to create an unrealistic amount of conflict in order for the film to be interesting and funny. So you see massive failures to communicate, glorification of abusive relationships, and other crap.

The most realistic portrayals of romance in film tend to be the stories that are mostly about something else. For instance, Eric and Tami’s marriage in the show Friday Night Lights has been praised for its realism. Eric and Tami love each other and their children and work to improve their relationship, but there’s still conflict in it. It’s just not enough conflict to base an entire show on, which works because the show is primarily about a small-town Texas football team, not about the relationship between two characters. That’s one of the reasons it’s realistic.

That’s why I believe that the best way to improve representations of stigmatized individuals and misunderstood identities in the media is actually to make the story about something other than those identities. Make a spy thriller where one of the main characters happens to have two partners. Make a sci-fi film in which the main character turns down a potential love interest because the main character happens to be asexual. Present these possibilities as just a part of life.

This approach won’t fix all of the problems. It also doesn’t have to be applied universally. There should be films out there are are about polyamory or homosexuality or whatever, although they need to be made by people who know what they’re talking about. These films can serve their own purpose.

But in order to really normalize a lifestyle or identity, you have to present it as realistically as possible, and that means presenting those characters as fully-formed individuals who are not defined by that particular identity. If the subject you’re addressing (polyamory, homosexuality, etc.) is the only source of conflict in the film, you’ll end up having to exaggerate that subject for the sake of entertainment.

When something like this happens in movies that address very common and accepted things–such as, in the case of romcoms, monogamous heterosexual dating–misrepresentation is still a bit of a problem, but at least people can draw on their personal experiences and those of friends and family, as well as on their knowledge of the dozens of other films and shows that address that experience, in order to evaluate whether or not the film is realistic.

But when it happens in movies that deal with unfamiliar and misunderstood experiences, like polyamory, the audience is much less likely to have other sources of information about that subject readily available. So they end up with glaringly inaccurate ideas about that subject.

Creating More Accurate Media Representations of Stigmatized Identities