There is literally nothing I can say about this story by Alaya Dawn Johnson that won’t lessen it. You’re just going to have to read it.

Think of it like the best macaroni and cheese you’ve ever had. No neon yellow Velveeta and bread crumbs. I’m talking gourmet cheddar, the expensive stuff from Vermont that crackles as it melts into that crust on top. Imagine if right before you were about to tear into it, the mac and cheese starts talking to you? And it’s really cool. It likes Joy Division more than New Order, and owns every Sonic Youth album, and saw you in the audience at the latest Arctic Monkeys concert, though you were too stoned to notice anything but the clearly sub–par cheesy mac you’d brought with you.

And what if he—I mean “it”—were really hot? Tall and lanky and weirdly well muscled, with bright blue eyes and ginger hair? So, he smells like the best meal you’ve ever eaten, but you kind of want to bone him too. Can’t have it both ways. You aren’t a necro. But a boy’s got to eat—maybe you could just nibble a bit at the edges? A part he won’t miss, and then fuck the rest of him. Eat an arm or something. He can still fuck with one arm. Not that well, though. Probably wouldn’t like it. Okay, a hand. Who ever needed a left hand? Then you remember that Jack—that’s his name, the mac and cheese—plays lacrosse. That’s probably where he got all those yummy muscles. You need two hands for lacrosse.

A pinky? Damn, you might as well starve yourself.

And you had it all planned out. You and Jack have shared an art class for the last three weeks. You were going to admire the mobile he’s been making (a twisted metal tower dangling with shattered CDs and beer tabs), look deep into his eyes, invite him back home with you to play Halo or smoke hash or whatever, and then devour him in the woods off of Route 25. Those woods are the local hunting range. You’ve done it at least a dozen times before, though not to your actual classmates at Edward R. Murrow High, your newest school.

Liking your meal too much to kill him? That’s a first.

“Pizzicato Five?” you say, catching on to the tail end of Jack’s sentence. “Who’re they?”

His eyes light up. Not literally, but they get really large and you can see the blue of his irises all spangly and flecked around his dilated pupils. Bug eyes, you usually call that look.

“Dude, they’re awesome,” he says. “Harajuku pop. Yeah, I know, you’re thinking about that Gwen Stefani crap, like, ‘I totally thought Jack had better taste,’ but don’t worry, this is the real stuff. It’s all ironic and postmodern. James Bond on a Nipponese acid trip in a bukkake club.”

“Wow,” you say, ’cause honestly you can only deal in monosyllables at this point.

“Hey, we can walk to my place from here. You wanna come over? I have a few of their albums.”

So you don’t get anywhere near Route 25. Which is good. You don’t want to eat him, and you can still smell your leftovers there. The whole thing is weirding you out. You—I don’t know—you like him. Like like him. You think you had a little sister once who would say it just like that. You don’t remember eating her, but you can’t be sure. And what would Jack think if he knew you were some monster who couldn’t even remember if he ate his sister alive?

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Though this story by Curtis C. Chen is about lasting ripples from World War II, it doesn’t feature quite the Hitler–or the Godwin–you know.

Michael walked to the memorial wall. The flags were as he remembered—USA on the left, CIA on the right—but the field of black stars floating above the white marble had multiplied since the last time he’d seen it. He now counted more than a hundred stars, each one representing a Company employee who had died in the line of service.

He stepped closer and looked at the Book of Honor, framed in steel and glass below the starfield. Less than half the gold sigils painted in the book’s pages had names written next to them, either in English or Runic.

Is your name in here, Linda? Are you one of these stars?

“Michael,” said a gravelly voice behind him.

Robert Denford didn’t look like he’d aged a single day since Michael left the Company. The two men shook hands coolly.

“How’ve you been?” Denford asked.

Michael glanced back at the wall. “You said it was a matter of historic importance. That’s the only reason I’m here.”

“Let’s go to the archives.”

Michael followed Denford into an elevator. Denford pushed a button.

“I hear you made deputy director,” Michael said as the doors closed.

Denford shrugged. “War is good for business.”

---

Before the elevator reached the basement, Denford pulled out his access talisman and opened a portal in the back wall. He and Michael stepped through the glowing circle and into a dim cave. There was no way to tell where this archive was; CIA had secret underground caches all over the world.

The two men walked down a long aisle of bookshelves that looked as if they had grown right out of the rough-hewn rock walls. Michael watched Denford pull one shelf out from the wall and unfold it into an impossibly large space. They stepped inside, and Denford parted another set of shelves.

Michael saw labels reading MIDWAY and MARSHALL ISLANDS on his way into a closet walled by what looked like multicolored curtains, but were actually floor-to-ceiling file volumes. He looked around in awe. The Company hadn’t used curtain files since—

“World War Two?” Michael asked.

Denford tugged a cloth line, and the material poured into his hand and became a hardbound book. “This is why we’re here.”

Michael read the book cover. “Hitler’s daughter. You’re joking, right?”

“The old man wants complete discretion. That’s why I called you.”

“I’m retired,” Michael said. “You can get someone more expert to tell you, authoritatively, that this is a crock. Something the Third Reich made up to scare the Allies as a last resort.”

“So you’ve heard the stories.”

“Yeah. Nazis raping Jewish and Romani prisoners, trying to breed supernatural talents into the master race. It didn’t work.”

Denford reached into his jacket and pulled out a modern file folder, bordered in red-and-white eyes-only logograms. The symbols shifted and moved over the paper. “There’s evidence that it did.”

“If you actually had convincing proof, you’d be talking to the JIC.”

“You’re right,” Denford said. “It’s promising, but not convincing. We need someone to run it down. Quietly. The old man trusts you.”

“And no one would suspect an elderly college professor.”

Denford smiled. “Everybody fights.”

Michael took the file. “Nobody wins.”

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